Johann Joseph Fux (1660-1741)
A long, long time ago, gradus ad Parnassum was a textbook containing rules and examples of how to write Latin verse
Gradus ad Parnassum by J.J. Fux is the most celebrated textbook on musical counterpoint. The theoretical treatise has influenced every great composer since J.S. Bach.  

Beethoven, in the absence of a copier, manually wrote out pages from Gradus ad Parnassum for his students.

 

A Cambiata is part of third species counterpoint. The leaping third note in the soprano is the Nota Cambiata.  The Nota Cambiata broke the musical rules of the era because it leapt from a dissonant note. This capricious and anxious leap from the unstable second note makes the consonant Nota Cambiata seem calm and bright, a moment of composure after becoming airborne, like stepping on a roller skate but landing solidly on both feet. From there the progression continues confidently, the motion redirected and stepwise until reaching the first note of the next measure. Leading the soprano voice through this sequence creates a melody with greater dimension, color and energy.

 

 

 

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From the central idea:

Espositio, Elaboratio, Decoratio

Applicable to wine?

Ever visit Ludwigwinery.com
???
 
 
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CAMBIATA FIGURES USING VARIOUS INTERVALS

Cambiata in its most basic forms
Florid Cambiata Cells